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Entries in jazz guitar (11)

Tuesday
Feb042014

#azjazzlessons #4: Learning To Develop Solos Like John Scofield

For jazz guitarists & jazz improvisors:

#azjazzlesson #todayIlearned

So I'm trying to learn something new everyday by documenting what I learned from watching a YouTube video. Today I looked for something from John Scofield and found this amazing concert video. 

Here's what I learned from watching his solo from 4:47 onwards.

1) Varying picking between the middle area to closer to the bridge is a great way to create different tones in phrases
2) Quoting the melody at the end of a solo is a very useful and clear way to cue the end of a solo
3) Changing the attack during a very scalar or sequence based line is a good way to create interest & subtle variation 
4) To surprise the listener, if the line feels like it's supposed to keep going up in direction, break the line and go to the opposite direction
5) Using the melodic contour of the melody is a good way to build phrases
6) Using certain parts of the melody as a road marker during the solo can be useful to keep the solo thematic 
7) To repeat a phrase that starts with a bend, you can also use a volume swell instead - this creates a repeat but is subtlely different

https://www.youtube.com/watch?v=G5g5ko-Z04c

#johnscofield #jazzsolo #improvisation #jazzguitar #guitar

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If you're interested to learn more in depth, lessons are available worldwide via Skype & in person in Kuala Lumpur.

Register for the 2-month jazz guitar masterclass here:http://www.azsamad.com/jazz


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Monday
Feb032014

#azjazzlessons #3: How Julian Lage Practices Guitar

For jazz guitarists & jazz improvisors:

#azjazzlesson #todayIlearned

So I'm trying to learn something new everyday by documenting what I learned from watching a YouTube video. Today I looked for something from Julian Lage and stumbled on this amazing 28-minute workshop video. 

Here are the main things I learned from the video:

On learning the guitar fretboard:
1. Take a note a day for 12 days so you know all the notes on the guitar

On Improvising:
2. Improvise in A Major but in random order, set a tempo, play in time and let your ear guide you (within 2 octaves)

On Technique: 
3. Julian thinks of the pinkie finger as the anchor, as finger 1 for the fretting hand of the guitar and how it relates to the whole arm, to the shoulder 

On Counterpoint:
4. To start playing with counterpoint on guitar, leave a note ringing while moving other fingers. This is a way to start.
5. The 2nd way is to consider just the bass & soprano parts. The important thing is to play in time. 
6. Play the bass part into the alto voice
7. Practice scales with two lines in the opposite directions
8. Sing each line of a contrapuntal part you play to really hear it

Thanks Julian for the knowledge & thank you to Liana Polanco for recording this.

https://www.youtube.com/watch?v=utvS0sIQKZQ

#improvisation #jazz #technique #guitar

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If you're interested to learn more in depth, lessons are available worldwide via Skype & in person in Kuala Lumpur.

Register for the 2-month jazz guitar masterclass here:http://www.azsamad.com/jazz


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Wednesday
Jul312013

The Beginner’s Guide to Jazz Guitar Improvisation

There’s a lot of mystery surrounding how jazz musicians improvise melodies that sound so fresh and exciting. For a beginner, it can seem very daunting to even be able to make up something simple.

While there are many different books and courses available on the topic, I’ll focus in this article on three ways you can start exploring the world of jazz improvisation.

3 Ways to Kick Start Your Jazz Guitar Improv Chops

Embellish Melodies - Take a melody that you’ve played and start adding a few notes around the main melody notes. The key thing is to memorize the original melody so that you can that as a basis for your embellishments. Start off really simple by adding one or two notes every few bars. Focus on adding notes for the long melody notes.

Playing Arpeggios -  Learn the basic arpeggios for a jazz standard, focus on simple one-octave triads or 7th chords first and play these over a backing track for the song. To practice, you can also play the melody of the song for two bars and then play arpeggios for the next two bars. By alternating back and forth, you can keep track of where you are in the song.

Rhythmic Variations - Play the melody of the song you’re learning and don’t add any new melody notes. Instead, change the rhythm of the melody. You can repeat the same note a few times or displace the notes rhythmically (play some notes earlier and some notes later). This creates variations that will lead you to more epic improvisations later on!

You can learn more about how to improvise in the jazz guitar masterclass: http://www.azsamad.com/jazz

Brought to you by Az Samad, dedicated to helping you become a better improvising jazz guitarist.

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Tuesday
Jan082013

Jazz Guitar Lesson #1: Walking Bass Lines

It's 2013 and it's the year of epic guitar! 

To help more guitarists, there will be weekly free guitar lessons posted on the site. These lessons will include:

  • A Video Lesson
  • Audio MP3 Version of the Lesson
  • FREE Downloadable PDF with notated examples & TAB

Every month will alternate between:
1) Jazz guitar
2) Fingerstyle guitar
3) Beginner guitar   

January 2013 is jazz guitar month! The focus will be to help aspiring jazz guitarists learn their craft better. 

If you'd like more tips before next week's lesson, check out my Jazz Guitar 101 page here: http://www.azsamad.com/jazzguitar101

Here's the first lesson. Enjoy! 

Audio Version:


[Click here to download the 'Walking Bass Lines' PDF File]
[Click here to download the 'Walking Bass Lines' PDF File]

[Additional Resources]

Jazz Guitar 101: http://www.azsamad.com/jazzguitar101
[Blog Post] [Walking Bass Line & Chords Over a 12-Bar Blues]

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[ACTION STEPS] How can you learn this better?

1) Learn to play the roots of the chords
2) Learn to play the roots and 5th of the chords
3) Learn to play chord tones for the bass line
4) Learn to play chord tones on 1 & 3 and passing tones on 2 & 4

Other songs to check out:
Stella By Starlight
Have You Met Miss Jones
Beautiful Love
The Days Of Wine and Roses
Fly Me To The Moon  

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Join my newsletter for a FREE 7-song acoustic guitar MP3 compilation
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Sunday
Jan062013

How To Memorize a Jazz Standard

Many of my jazz guitar students ask me how to learn jazz. Most will say it all seems overwhelming and that there's a lot to learn. Still, most of the time my answer is the same. My advice is to learn a jazz standard. It seems obvious but there are many benefits including a deeper understanding of melody and chord progression.

After knowing this, sometimes we may still have a hard time learning the song. I too have stuggled to memorize songs and over many years of trying, asking and learning from different mentors - here are some of the key elements that helped me. 

Here are 4 steps to memorize a jazz standard:

1. Study the song form

Songs use repetition to create familiarity and variation to create interest. In jazz, typical songforms are AABA, ABAC, ABCD and sometimes ABA. Most jazz standards are 32-bar forms or in the case of blues, typically 12-bar forms.

Write the song form and details such as:

  • an analysis of the chords and key areas  
  • when a particular riff or melodic phrase appears and reappears

PRO-TIP: Create multiple copies of the lead sheet of a song you’re working on and analyze the form in different ways. There might be more than one way of looking at it!

2. Study the harmony

  • Does the song stay in one key? Does it moves through many keys?
  • Is it in a major key or minor key or both? Is it modal?
  • Is it pretty static or does it change chords every two beats?
  • What is similar between two chords that seem so different?

By thinking about the harmony and figuring ways to voice-lead and connect chords - the song will be more a part of you.

PRO-TIP: Memorize the chord progression in phrases, usually 2 or 4-bars at a time. Then, connect these fragments into longer sections of 8-bars and then 16-bars until you've memorized the chords for entire piece.

3. Study the melody

Same thing like the way we looked at the harmony. In fact, we should probably study the melody and memorize it first before looking at the harmony!

Study how the phrases are constructed:

  • Are they long? Are they short?
  • Do they have a call and response type of idea?
  • Are the phrases balanced or not?

PRO-TIP: Here's something I learned from master jazz educator Hal Crook: memorize the pitches of the melody first so you can understand the contour of the melody. Then, work on the rhythm. After that, try it the other way around, i.e. learn the rhythm first and the pitches second.

4. Study the rhythms

  • Are there repeating rhythmic ideas?
  • Is is very heavy on the downbeat?
  • Is there a lot of syncopation?
  • Where are these syncopations?

PRO-TIP: Some songs are driven more by the rhythm and groove. When this is the case, learn the groove first and be one with it. This will make everything else come together easier.

Hope these steps help you in your journey learning jazz. Remember to have fun and enjoy the process!

I’ll be starting a new series of free online guitar tips for jazz, beginner & fingerstyle guitarists this year. It’s 2013 and it’s the year of epic guitar.

Stay tuned! =)

Related Posts: 
[BLOG POST] 7 Things For Jazz Guitarists To Practice 
[BLOG POST] The B.O.P. of Learning
[VIDEO LESSON] How Do I Understand Modes?

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Join my newsletter for a FREE 7-song acoustic guitar MP3 compilation
& to be updated of new blog posts, videos, upcoming shows & exclusive content.

 

100% privacy and I promise never to spam you.
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If you like this post, please Like it or Tweet it! =)