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Entries in Jazz Guitar Lessons in Kuala Lumpur (4)

Wednesday
Jul312013

The Beginner’s Guide to Jazz Guitar Improvisation

There’s a lot of mystery surrounding how jazz musicians improvise melodies that sound so fresh and exciting. For a beginner, it can seem very daunting to even be able to make up something simple.

While there are many different books and courses available on the topic, I’ll focus in this article on three ways you can start exploring the world of jazz improvisation.

3 Ways to Kick Start Your Jazz Guitar Improv Chops

Embellish Melodies - Take a melody that you’ve played and start adding a few notes around the main melody notes. The key thing is to memorize the original melody so that you can that as a basis for your embellishments. Start off really simple by adding one or two notes every few bars. Focus on adding notes for the long melody notes.

Playing Arpeggios -  Learn the basic arpeggios for a jazz standard, focus on simple one-octave triads or 7th chords first and play these over a backing track for the song. To practice, you can also play the melody of the song for two bars and then play arpeggios for the next two bars. By alternating back and forth, you can keep track of where you are in the song.

Rhythmic Variations - Play the melody of the song you’re learning and don’t add any new melody notes. Instead, change the rhythm of the melody. You can repeat the same note a few times or displace the notes rhythmically (play some notes earlier and some notes later). This creates variations that will lead you to more epic improvisations later on!

You can learn more about how to improvise in the jazz guitar masterclass: http://www.azsamad.com/jazz

Brought to you by Az Samad, dedicated to helping you become a better improvising jazz guitarist.

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Monday
Jan282013

How To Play Great Jazz Guitar Chords

Are you overlooking these 4 essential concepts when you play jazz guitar chords? 

Most guitarists simply grab random chords when they read a lead sheet or chord chart at a gig. They play one chord that they learned from a website, another from a YouTube video and a few from some that a friend showed them. 

This is okay if you’re just playing for fun but, if you’re looking to sound exceptional, there’s a better way.

The very best players study in-depth to create more options when they perform. As a result, their playing sounds unique and interesting. This represents part of the puzzle. 

Here are 4 key concepts that will make your comping more organized and sound awesome.  

1. Density 

This is how many notes in a voicing. 

Sometimes when comping it’s better to use less notes, for example in fast tunes, most player will choose to use 2 or 3-note voicings. Using less notes allows for the player to outline the harmony, yet still be flexible to change chords fast and fluidly. In other situations, like in a jazz  ballad - it’s desirable to use more notes since you can sustain the voicings longer. 

PRO-TIP: When a song is fast, play 2-3 note voicings. When a song is slow, use 4-5 note voicings that you can sustain. Include voicing with open strings.

2. Texture  

This refers to how the notes are spaced.

Having an open voicing will create a different texture than using close voicings. On some instruments, open voicings will sound better. Depending on the composition or the melody, a comper may choose a different texture to complement the piece. 

PRO-TIP: Open voicings are easier to play on guitar and close voicings are easier on piano. Therefore, these sound idiomatic on the respective instruments. However, playing them on the opposite instruments can make your voicings sound refreshing.

3. Color  &  Mood  

This is what does the choice of notes makes you feel. 

Often, this part is left out of most jazz comping guides because it’s harder to explain. It’s funny because it’s actually the most important aspect for a professional comper. In a melancholic ballad, darker chords with more extensions may be the best choice and in a lighter groove-oriented piece, sparse open triads and interval may be the correct choice.

PRO-TIP: By studying pieces that envoke similar moods, we can emulate the voicings choices made by the heroes we love. On the other hand, we can always choose to mix and match ideas from different pieces we’ve studied. For the modern jazz musician, experimentation is essential to develop a personal voice on the instrument. 

4. Context  

Context is when & why one voicing would work best in a particular style, groove or moment  in a piece. Closely related to color and mood, this is a consideration that guides the choice of color & mood in comping. Also, this could be the performance context as well for example whether you’re performing solo, in a duo, with a singer or in a trio.

PRO-TIP: Experiment using the same voicings in different situations & on different instruments - discover what works best for your music, in your setting and circumstances.

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What to do now?

1. Pick a jazz standard that you really love. Here are 5 examples of classic tunes that are worth studying: 

  • Stella By Starlight
  • Autumn Leaves
  • All The Things You Are
  • Misty
  • You Don’t Know What Love Is 

2. Consider the 4 concepts: (Density, Texture, Color & Mood and Context) and decide on what you want to do on a tune.

For example: 

Song Title: Stella By Starlight
Density: 3 note voicings
Texture: Open Voicings:
Color & Mood: Dark
Context: Solo Guitar 

3. Write one chorus of voicings that reflect these choices.
4. Record these voicings with no rhythmic variations (i.e. one or two voicings per bar)
5. Record a version that includes rhythmic interpretation, like how you would actually play it in performance
6. Listen back to the recordings, comment & critique.
7. Use the elements you loved in your live performances.
8. Repeat steps 1 to 7 on different songs or with different choices of the 4 concepts. 

Good luck and hope this helps accelerate your development as a modern jazz guitarist!

Related Posts: 
[BLOG POST] 7 Things For Jazz Guitarists To Practice 
[BLOG POST] The B.O.P. of Learning
[VIDEO LESSON] How Do I Understand Modes?

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Monday
Jan212013

Jazz Guitar Lesson #3: Jazz Guitar Triads

It's 2013 and it's the year of epic guitar! 

To help more guitarists, there will be weekly free guitar lessons posted on the site. These lessons will include:

  • A Video Lesson
  • Audio MP3 Version of the Lesson
  • FREE Downloadable PDF with notated examples & TAB

Every month will alternate between:
1) Jazz guitar
2) Fingerstyle guitar
3) Beginner guitar   

January 2013 is jazz guitar month! The focus will be to help aspiring jazz guitarists learn their craft better. 

If you'd like more tips before next week's lesson, check out my Jazz Guitar 101 page here: http://www.azsamad.com/jazzguitar101

This is a part of a 4-part lesson series in January 2013:
Part 1: Walking Bass Lines For Jazz Guitar: http://www.azsamad.com/jazz1
Part 2: Jazz Guitar Chords: http://www.azsamad.com/jazz2

Here's the 3rd lesson. Enjoy! 

Audio Version:
 

[Click here to download the 'Jazz Guitar Triads' PDF File]
[Click here to download the 'Jazz Guitar Triads' PDF File]

[Additional Resources]

Jazz Guitar 101: http://www.azsamad.com/jazzguitar101
[Blog Post with PDF] [15 Jazz Guitar Chords You Must Know]

If you missed last 2 weeks of lessons, check them out here:
Part 1: Walking Bass Lines For Jazz Guitar: http://www.azsamad.com/jazz1
Part 2: Jazz Guitar Chords: http://www.azsamad.com/jazz2

*****
[ACTION STEPS] How can you learn this better?

1) Learn to play the arpeggios
2) Learn to connect the arpeggios and compose/improvise simple solos
3) Learn to use the triads over different songs
4) Learn 2-octave triad arpeggios (for intermediate jazz guitarists)
5) Learn 3-octave triad arpeggios  (so you really learn to move across the fretboard!)

Other songs to check out:
Stella By Starlight
Have You Met Miss Jones
Beautiful Love
The Days Of Wine and Roses
Fly Me To The Moon  

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Join my newsletter for a FREE 7-song acoustic guitar MP3 compilation
& to be updated of new blog posts, videos, upcoming shows & exclusive content.

 

100% privacy and I promise never to spam you.
_________

 

 If you liked this post, please Like it or Tweet it! =)

Monday
Jan142013

Jazz Guitar Lesson #2: Jazz Guitar Chords

It's 2013 and it's the year of epic guitar! 

To help more guitarists, there will be weekly free guitar lessons posted on the site. These lessons will include:

  • A Video Lesson
  • Audio MP3 Version of the Lesson
  • FREE Downloadable PDF with notated examples & TAB

Every month will alternate between:
1) Jazz guitar
2) Fingerstyle guitar
3) Beginner guitar   

January 2013 is jazz guitar month! The focus will be to help aspiring jazz guitarists learn their craft better. 

If you'd like more tips before next week's lesson, check out my Jazz Guitar 101 page here: http://www.azsamad.com/jazzguitar101

If you missed last week's lesson on walking bass, check it out here:
http://www.azsamad.com/jazz1

Here's the 2nd lesson. Enjoy! 

Audio Version:
 

[Click here to download the 'Jazz Guitar Chords' PDF File]
[Click here to download the 'Jazz Guitar Chords' PDF File]

[Additional Resources]

Jazz Guitar 101: http://www.azsamad.com/jazzguitar101
[Blog Post with PDF] [15 Jazz Guitar Chords You Must Know]

If you missed last week's lesson on walking bass, check it out here:
http://www.azsamad.com/jazz1

*****
[ACTION STEPS] How can you learn this better?

1) Learn to play the chords on the beat
2) Play the chords in different keys
3) Play the chords with different rhythms & strumming patterns
4) Use the chord shapes in different songs 
5) Write your own songs using some of the chords 

Other songs to check out:
Stella By Starlight
Have You Met Miss Jones
Beautiful Love
The Days Of Wine and Roses
Fly Me To The Moon  

---------

Join my newsletter for a FREE 7-song acoustic guitar MP3 compilation
& to be updated of new blog posts, videos, upcoming shows & exclusive content.

 

100% privacy and I promise never to spam you.
_________

 

 If you liked this post, please Like it or Tweet it! =)